POST PRODUCTION

REDCODE RAW (.R3D) is a file format designed to efficiently encode light measurements from a camera's digital sensor. Each of the sensor's color channels are stored separately, and controls such as white balance and exposure (ISO) can be changed at any point, non-destructively, AFTER the footage has already been captured.

Because such settings are appended to the recorded files as metadata only, grading itself is completely non destructive. Through RED CINE-X PRO and the evolving color science provided by Red Digital Cinema, footage that was shot even on older Red cameras can be constantly improved, color-wise and look-wise, as time goes by and the technology itself advances.

Moonweed Digital offers full, native editing of .R3D footage, online and without encoding.

Our main workflow for in-house productions is based around the extremely robust REDCODE RAW codec, allowing for full quality, 12 to 16 bits native, 4k/5k/6k resolution native editing. With the help of the very latest color science from Red, and the additional benefits of third-party plug-ins such as Red Giant's MAGIC BULLET LOOKS 2 and FILM CONVERT PRO 2, the whole pipeline is 4k ready. Editing natively in Final Cut Pro X, grading in Red Cine-X Pro or Da Vinci Resolve, then adding special effects via secondary color grading and film emulation, the possibilities are endless.

Delivery is possible in a variety of formats, from Apple ProRES 4444 to H.264 for internet streaming or the latest H.265 for 4k delivery or Blu-Ray encoding.

AUDIO

Post production (mixing and mastering) is as essential for audio as it is for video. We can provide multitrack recording and mixing, in the studio (voiceovers) or on location, up to 24 bits / 192 kHz, using one of our two platforms of choice: Avid's Protools or Apple Logic Pro X running on the latest multicore Mac Pro.

VIDEO WORKSTATION

THE POWER OF "RAW"

REDCODE RAW (.R3D) is a file format designed to efficiently encode light measurements from a camera's digital sensor. Each of the sensor's color channels are stored separately, and controls such as white balance and exposure (ISO) can be changed at any point, non-destructively, AFTER the footage has already been captured.

Because such settings are appended to the recorded files as metadata only, grading itself is completely non destructive. Through RED CINE-X PRO and the evolving color science provided by Red Digital Cinema, footage that was shot even on older Red cameras can be constantly improved, color-wise and look-wise, as time goes by and the technology itself advances.

Moonweed Digital offers full, native editing of .R3D footage, online and without encoding.